As featured on PBS NewsHour

A Good Morning America pick for April 2023

Selected by Publisher’s Marketplace as a Buzz Book for Spring/Summer 2023

 
“In lyrical language that expresses both Viva’s and Charlotte’s perspectives, Otis portrays a mother and daughter caught in a tense pas de deux, perpetually pushing one another away before returning to each other. This author continues to impress.”

—Publishers Weekly

“Otis’s debut novel (after her short story collection Yes, Yes, Cherries) explores the intricacies of mother-daughter relationships with depth, humor, and sensitivity... A moving and relatable story; literary fiction fans will be pleased.”

—Library Journal

“Mary Otis delivers a psychologically acute vision of a mother and daughter and their haunting waltz in which allegiance, dreams of escape, the desire for dignity and the urge for self-destruction play their part in a dance that spreads over three decades. A powerful debut.”

–Janet Fitch, author of White Oleander and The Revolution of Marina M.

“Mary Otis is so gifted at giving us two full and complicated women in this captivating novel, allowing each her brokenness and her dignity. Plus, the gorgeous writing about dance! I was making a list in my head of readers I want to give it to.”

–Aimee Bender, author of The Particular Sadness of Lemon Cake and The Butterfly Lampshade

“Beautifully written, propulsive, and utterly transcendent, this is a mother-daughter story for the ages.”

  –J. Ryan Stradal, author of Kitchens of the Great Midwest and The Lager Queen of Minnesota

“A profound, propulsive exploration of what it means to be a mother, a daughter, an artist, and an addict. A transfixing, singular evocation of the precarious, terrifying predicament that constitutes being a woman alone in the world. BURST made think deeply about my own choices and compulsions and changed, forever, the way I see myself and the world.”

–Joanna Rakoff, author of My Salinger Year and A Fortunate Age

“A new spin on the theme of entwined mothers and daughters… (Otis) steers ably away from cliché in what could easily have been a conventionally tense relationship between mother and daughter, documenting the ways in which both are distorted by the “umbilical cord” that stretches between them for decades but allowing them to be individuals with their own quirks and longings as well.”

–Kirkus Reviews

“When it comes to stories of mothers and daughters, Mary Otis's Burst is up there with Mona Simpson's Anywhere But Here and Elizabeth Strout's Amy & Isabelle. Otis writes with complexity and heart. We are all richer and wiser after reading her work.”

–Natalie Baszile, author of Queen Sugar and We Are Each Other’s Harvest

“Burst is a wallop of a novel—it is about risk and pleasure, the way a body or mind can feel like a boundless possibility and a small prison, the way a mother and daughter set loose in the world can make everything shine, even if the shiny things also have teeth.”

–Ramona Ausubel, author of Sons and Daughters of Ease and Plenty and Awayland

“The mysterious bond that occurs between troubled mothers and their daughters has been written about endlessly, but almost never with such perfectly-modulated electricity, such humor and deep wisdom, such enveloping–but utterly unsentimental–tenderness. Burst is a taut, economical novel that nonetheless contains multitudes. Its interrogations of what we owe ourselves and one another, how we love our parents and struggle to escape their shadows, and how we reconcile our dreams with our disappointments, is wonderful indeed.”

–Matthew Specktor, author of Always Crashing in the Same Car and American Dream Machine

“Mary Otis writes about the ineffable—the high of being a dancer, the terrible closeness of mothers and daughters—with clarity, soul, and grace. BURST is a radiant first novel, its characters impossible to forget in their individual vividness and their complicated love for one another.”

–Sarah Shun-lien Bynum, author of Likes and Madeline is Sleeping